Week 29-30: Welcome to 2013
Happy New Year!
In my first week back at the Mayme Clayton Library and
Museum, I did some preliminary investigation of the Online Archive of
California, worked on my Richard Love evaluation, and re-engaged with the
volunteers.
Even before I arrived in Los Angeles, my predecessor, Alyss,
told me that the museum would benefit from becoming a part of the online
digital archive of California. I am very comfortable with this idea because my
first foray into archives involved a similar project in Arizona. With the advent
of EAD, it only takes a little bit of training for institutions to transform
their finding aids into a format that can easily be integrated into a
centralized website. These websites are ideal for researchers and provide an
extraordinary amount of exposure for small archives. My biggest challenge in
becoming a contributor to California’s OAC is producing finding aids that are
reflective of the work that has been done and conforms to current archival
standards. Most collections have been processed at the item level in the form
of inventories. While these make great container lists, more work needs to be
done with archival arrangement, scope and content, as well as
biographical/historical notes. I don’t necessarily have the time to do the
research and contact the donors to obtain the relevant information for every
collection. However, I have identified three collections that just need a
little bit of tweaking to be ready for submission; The Barryte, Broussard and
Dismukes Doll Collection, The CAAGS Collection and The Rex and Roberta Ragan
Collection. Hopefully we can breeze through the paperwork and get these
materials online within the next few weeks and if I am really lucky, I’ll
finish the Mayme Papers and submit the finding aid before the end of the fellowship.
I have been working on my Richard Love HistoryMaker
interview for the past couple of weeks. Richard Love is the founder of The Long
Beach Times newspaper. He is originally from Hahira, Georgia and spent time in
Florida and Colorado before settling in California. Mr. Love is an interesting
character, his views on economic development and the racial problems in America
are a little intense for my taste, but I respect his contribution to the black
community in Long Beach. One example of a controversial opinion that Mr. Love
has is that cigarette and alcohol companies should not be the advertisers
(sponsors) of important black programs or events. He cites Budweiser as an
inappropriate sponsor for the concert to raise money for the United Negro College
Fund. As I am processing Mayme’s papers, I can see that the Miller Brewing
Company was a sponsor of her independent filmmaker’s grant program for twenty
years. The prospect of earning $3,000, $2,000, or $1,000 dollars as a black
filmmaker brought information requests flooding through the doors and gave Dr.
Clayton a chance to help young people in their creative pursuits. As noble as
her cause was, it would not have been lifted off the ground without the support
of a beer company and I’m glad that she didn't refuse in an attempt to maintain
an impractical moral high ground.
As soon as we opened the doors on Thursday, January 3, we
were responding to phone messages and welcoming our volunteers back to the
museum. Michael has made incredible progress on the duplicate book project. I
imagine that I will have to break the news on how he needs to break down the 75
boxes that he has emptied over the last month. For now, we’ll keep the shelving
and data entry momentum going. As of today we have 25 boxes full of true duplicates.
Lena has finished her inventory of the Rex and Roberta Ragan collection and I
gave her a template for a finding aid. Adell kept cataloging books and Sandra
spent Saturday following up with our new members, thanking them for their
donations and asking which size t-shirt they want. Irene and Christal helped us
to put return the materials from the previous exhibits into their respective
homes. I also spoke to Keith about his work at California State University at
Northridge which includes a significant amount of photographs from African
American photographers. I offered to share his contact information with the
Richard Pryor documentary folks because they have some images of the comedian.
Keith was also intrigued by the potential “Listen, Whitey” exhibit and offered
to help devise some listening stations. Once again, the volunteers are a
consistent source of inspiration for why we do what we do is so important.
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